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・ The Double Event (1921 film)
・ The Double Event (1934 film)
・ The Double Fiance
・ The Double Helix
・ The Double Hold-Up
・ The Double Hook
・ The Double Hour
・ The Double Jinx Mystery
・ The Double Life of Henry Phyfe
・ The Double Life of Mr. Alfred Burton
・ The Double Life of Véronique
・ The Double Man
・ The Double Man (1967 film)
・ The Double Man (1976 film)
・ The Double Man (book)
The Double Marriage
・ The Double McGuffin
・ The Double Ninth
・ The Double Sunrise
・ The Double Tongue
・ The Double-Cross
・ The Double-D Avenger
・ The Doubleclicks
・ The DoubleHappys
・ The Doubleman
・ The Doublets
・ The Doubt Factory
・ The Doubt of Future Foes
・ The Doubtful Guest
・ The Doubtful Heir


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The Double Marriage : ウィキペディア英語版
The Double Marriage

''The Double Marriage'' is a Jacobean era stage play, a tragedy written by John Fletcher and Philip Massinger, and initially printed in the first Beaumont and Fletcher folio of 1647.
==Date and performance==
Though firm evidence on the play's date of authorship and early stage history is lacking, scholars usually assign the play to the 1619–22 period. It was acted by the King's Men, with Joseph Taylor playing the lead – a production that must have occurred after Taylor joined that company in the spring of 1619. The play's absence from the fairly thorough Revels Office records of Sir Henry Herbert probably indicates a date prior to May 1622, when Herbert first occupied the office of Master of the Revels.〔E. H. C. Oliphant, ''The Plays of Beaumont and Fletcher: An Attempt to Determine Their Respective Shares and the Shares of Others,'' New Haven, Yale University Press, 1927; p. 226.〕 The cast list added to the play in the second Beaumont and Fletcher folio of 1679 mentions, in addition to Taylor, John Lowin, Robert Benfield, Richard Robinson, John Underwood, Nicholas Tooley, George Birch, and Richard Sharpe.
''The Double Marriage,'' like many of the plays in Fletcher's canon, was revived during the Restoration era. It was acted as late as 6 February 1688 at Whitehall Palace.〔Arthur Colby Sprague, ''Beaumont and Fletcher on the Restoration Stage.'' Cambridge, MA, Harvard University Press, 1926; p. 57.〕 A revival in the 1671–72 period was given a Prologue, perhaps written by Aphra Behn, which was re-used for Behn's ''Abdelazer'' (1677) and, as an Epilogue, for Behn's ''The Widow Ranter'' (1690).〔Paul Hammond, ''Restoration Literature: An Anthology,'' Oxford, Oxford University Press, 2002; p. 215.〕

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